Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City 2001-2011 - Paperback

by Lizzy Goodman (Author)

Named a Best Book of 2017 by NPR and GQ

Joining the ranks of the classics Please Kill Me, Our Band Could Be Your Life, and Can't Stop Won't Stop, an intriguing oral history of the post-9/11 decline of the old-guard music industry and rebirth of the New York rock scene, led by a group of iconoclastic rock bands.

In the second half of the twentieth-century New York was the source of new sounds, including the Greenwich Village folk scene, punk and new wave, and hip-hop. But as the end of the millennium neared, cutting-edge bands began emerging from Seattle, Austin, and London, pushing New York further from the epicenter. The behemoth music industry, too, found itself in free fall, under siege from technology. Then 9/11/2001 plunged the country into a state of uncertainty and war--and a dozen New York City bands at the heart of the garage rock revival that had been honing their sound and style in relative obscurity suddenly became symbols of glamour for a young, web-savvy, forward-looking generation in need of an anthem.

Meet Me in the Bathroom charts the transformation of the 2000s music scene in New York, the bands behind it--including The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol, and Vampire Weekend--and the cultural forces that shaped it, from the Internet to a booming real estate market that forced artists out of the Lower East Side to Williamsburg. Drawing on 200 original interviews with James Murphy, Julian Casablancas, Karen O, Ezra Koenig, and many others musicians, artists, journalists, bloggers, photographers, managers, music executives, groupies, models, movie stars, and DJs who lived through this explosive time, journalist Lizzy Goodman offers a fascinating portrait of a time and a place that gave birth to a new era in modern rock-and-roll.

This immersive oral history captures the grit and glamour of a legendary era through the stories of the people who lived it:

• Oral History of an Era: Featuring 200 original interviews with musicians, artists, and journalists including James Murphy, Julian Casablancas, Karen O, and Ezra Koenig.
• New York Rock Scene: Chart the musical rebirth that exploded in post-9/11 New York, from the clubs of the Lower East Side to the warehouse parties of Williamsburg.
• Behind the Music: Get the inside story of iconic indie rock bands like The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol, and Vampire Weekend.
• A Decade of Change: Explore the cultural forces that shaped the 2000s music scene, from the explosion of the internet to a city rebuilding itself in the face of uncertainty.

Front Jacket

In the early 2000s New York City served as the unlikely stage for a radical renaissance where bands like the Strokes, Yeah Yeah Yeahs, Interpol, the Moldy Peaches, LCD Soundsystem, and others, who had been honing their craft in obscurity, suddenly became reflections of a newly flush, newly booming town determined to recover from the devastation of September 11.

Meet Me in the Bathroom explores how during this era the music industry was dismantled and then reborn via technology--first by Napster and later iTunes--and by evangelist bloggers and edgier journalistic upstarts like Vice and Pitchfork. As the reshaping of the city--technological, aesthetic, cultural, and physical--spread from downtown Manhattan to Williamsburg, Brooklyn, bands like MGMT, Vampire Weekend, TV on the Radio, Grizzly Bear, and Dirty Projectors became the new stars, remaking the idea of New York in their own nerdy image, and establishing "I heart Brooklyn" as the mantra of a new generation.

Crafted from nearly two hundred original interviews and curated by a writer who remembers the hangovers herself, Meet Me in the Bathroom charts the first decade of the 2000s in all its epic and reckless glory. It is a brilliant portrait of a city, an industry, and a generation on the verge of seismic change.

--Uproxx

Back Jacket

In the early 2000s New York City served as the unlikely stage for a radical renaissance where bands like the Strokes, Yeah Yeah Yeahs, Interpol, the Moldy Peaches, LCD Soundsystem, and others, who had been honing their craft in obscurity, suddenly became reflections of a newly flush, newly booming town determined to recover from the devastation of September 11.

Meet Me in the Bathroom explores how during this era the music industry was dismantled and then reborn via technology--first by Napster and later iTunes--and by evangelist bloggers and edgier journalistic upstarts like Vice and Pitchfork. As the reshaping of the city--technological, aesthetic, cultural, and physical--spread from downtown Manhattan to Williamsburg, Brooklyn, bands like MGMT, Vampire Weekend, TV on the Radio, Grizzly Bear, and Dirty Projectors became the new stars, remaking the idea of New York in their own nerdy image, and establishing "I heart Brooklyn" as the mantra of a new generation.

Crafted from nearly two hundred original interviews and curated by a writer who remembers the hangovers herself, Meet Me in the Bathroom charts the first decade of the 2000s in all its epic and reckless glory. It is a brilliant portrait of a city, an industry, and a generation on the verge of seismic change.