{"title":"African American \u0026 Black","description":"\u003cp\u003eHistory: African American \u0026amp; Black. 183 titles; authors including Douglass, Frederick, Kendi, Ibram X, Miles, Tiya; series including Revisioning History and A Ferris and Ferris Book.\u003c\/p\u003e\u003cp\u003eHardcover and Paperback from $4.99 to $50.99. Free shipping on orders over $50.\u003c\/p\u003e","products":[{"product_id":"the-cruelty-of-nice-folks-why-minneapolis-is-the-story-of-america","title":"The Cruelty of Nice Folks: Why Minneapolis Is the Story of America","description":"\u003cp\u003e\u003cb\u003e\"In writing a book about Minneapolis, Justin Ellis has really written a book about America's favorite lie--that good intentions lead to justice. Ellis is a rigorous historian and a visceral storyteller, and he has produced something essential: a reckoning with a city that wanted to be a safe haven for all and built a foundation that made this impossible.\" -Aaron Robertson, author of \u003ci\u003eThe Black Utopians\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eA \u003ci\u003eBoston Globe \u003c\/i\u003eBest Book of Summer 2026\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eOne of \u003ci\u003eThe Millions'\u003c\/i\u003e Most Anticipated Spring 2026 Books\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eA revelatory look at one of America's most progressive cities--Minneapolis--as journalist Justin Ellis returns to his hometown to grapple with the quiet history of white supremacy in the wake of George Floyd's murder, uncover his family's story of surviving \"Minnesota nice,\" and revisit the city years later as state violence again forces the question of what a real reckoning looks like. \u003c\/p\u003e\u003cp\u003eIt's the \"North,\" they like to say, not the Midwest. It's dif­ferent. Minneapolis is a city for everyone. But in 2020, George Floyd's murder by the city's police left many Americans stunned and wondering, \"How could this hap­pen in Minneapolis?\" To Ellis, the real question is: What made people think it couldn't?\u003c\/p\u003e\u003cp\u003eThe Minneapolis Justin Ellis grew up in is not the idealistic metropolis it claims to be. The \"City of Lakes\" was built on discrimination-- in its housing, its schools, its politics--much like all other American cities. Black families were systematically cut out of the prosperous neighborhoods, lush parks, and pristine lakes that make Minneapolis a haven of the heartland. Because of its image as a liberal ally in the fight for civil rights, Minne­apolis has rarely been forced to confront this fact. But when George Floyd's murder sparks a global protest movement with the city as ground zero, its residents must finally ask what being a good neighbor actually means.\u003c\/p\u003e\u003cp\u003eIn a powerful new epilogue, Ellis turns his gaze back to Minneapolis as the sweeping federal immigration operation once again thrusts the city into national headlines. If George Floyd's murder forced Minneapolis to confront questions of policing, power, and responsibility, the events of 2026 ask what those years of reckoning ultimately changed. Where fear once threatened to overwhelm the city's response to state violence, Ellis finds a community newly practiced in dissent and collective action. 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How did we get here, and why, despite generations of Black medical excellence, do these inequities persist? In \u003ci\u003eThe Price of Exclusion\u003c\/i\u003e, journalist Nicole Carr uncovers that history and its urgent consequences, exposing the hidden toll of America's refusal to value Black doctors and their patients.\u003c\/p\u003e\u003cp\u003eAt the center is the extraordinary life of Carr's great-grandfather, Dr. Lawrence St. Clair Ferguson, a Jamaican-born physician who served in World War I and attended medical school during the Spanish Flu pandemic. His journey from colonial Jamaica to a racially divided America provides both an intimate family portrait and a sweeping history of how Black physicians persevered despite segregation, erasure, and relentless barriers to practice.\u003c\/p\u003e\u003cp\u003eThrough vivid storytelling and meticulous research, Carr resurrects the lives of pioneers who transformed medicine against impossible odds. From America's first four-year medical school located at a historically Black college in North Carolina to the generations of Black physicians whose contributions were pushed aside by institutions of power, Carr shows how these figures were not only doctors but also advocates and innovators whose work reshaped public health and opened doors for those who followed.\u003c\/p\u003e\u003cp\u003eCarr also reveals the systemic campaigns that actively disempowered Black doctors, from the American Medical Association's exclusionary policies to the devastating closures of Black medical schools after the Flexner Report. That legacy fuels today's shortage of Black medical professionals and the lingering distrust in medicine that continues to cost lives.\u003c\/p\u003e\u003cp\u003eBold, moving, and essential, \u003ci\u003eThe Price of Exclusion\u003c\/i\u003e is both a necessary history and a testament to the resilience of Black medical pioneers past and present. 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Extraordinary.\" --Marlon James on \u003c\/b\u003e\u003ci\u003e\u003cb\u003eThere Will Be No Miracles Here\u003c\/b\u003e\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003e Most afternoons for the past three years, Casey Gerald took a walk. He would pass the compound that Elon Musk was building in his neighborhood; the burned-down Freedman's church; the little house where he and his lover Jack had seen a shooting star. He knew the world was crumbling, but he didn't fret. He had been promised: When it breaks, you'll be ready. \u003cp\u003e\u003c\/p\u003e \"There is a great unfolding going on,\" Gerald writes, \"and all the clues for what's to come are planted in the people.\" In this quietly redemptive and lyrical book, Gerald shares his map for finding those clues, finding each other, and finding our way out of this dark and wearied time. On the other side of \u003ci\u003eNo\u003c\/i\u003e, Gerald insists, there is a \u003ci\u003eYes\u003c\/i\u003e--an embrace of what we really want, what we might finally claim once we refuse. \u003cp\u003e\u003c\/p\u003e Calling forth a kaleidoscopic cast, from Odysseus to D'Angelo, Sun Tzu to Simone Biles, Black literati and desert mystics, Gerald implores us to take our power back and to remake the world together, on our terms. 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In unearthing the dramatic histories of the Black Shield and his own family, Cooper tells the intertwined stories of the two: his relatives, whose lineage traces back to the Great Migration and who chose policing because it was one of the few stepping stones to economic security and status in a segregated city; and an organization that, over decades of cultural and political upheaval, has cycled endlessly between rebellion and acquiescence. \u003cp\u003e\u003c\/p\u003eAn intimate, bold work of literary nonfiction, \u003ci\u003eThe Black Shield\u003c\/i\u003e is an urgent exploration of the complex duality of the Black cop. Cooper grapples with a knot of contradictions: Is the Black officer a sign of progressive change, or of a system that shifts its appearance without changing its outcomes? How to reconcile the fact that policing helped lift his family out of poverty while it has kept its knee on the necks of his people? 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This is sometimes referred to as the country's original sin, but it is more than that: It is the source of so much that still defines the United States. \u003cp\u003e\u003c\/p\u003e\u003ci\u003eThe New York Times Magazine\u003c\/i\u003e's award-winning 1619 Project issue reframed our understanding of American history by placing slavery and its continuing legacy at the center of our national narrative. This book substantially expands on that work, weaving together eighteen essays that explore the legacy of slavery in present-day America with thirty-six poems and works of fiction that illuminate key moments of oppression, struggle, and resistance. 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Why should anyone pay attention to what I had to say? Did I have anything to say? I was writing science fiction and fantasy, for God's sake. At that time nearly all professional science-fiction writers were white men. As much as I loved science fiction and fantasy, what was I doing? Well, whatever it was, I couldn't stop. Positive obsession is about not being able to stop just because you're afraid and full of doubts. Positive obsession is dangerous. 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Framing this list are essays and reflections written by an interdisciplinary group of scholars on the development of the Black intellectual tradition, both in Schomburg's time and today.\u003c\/p\u003e","brand":"Yale University Press","offers":[{"title":"Default Title","offer_id":47945230811325,"sku":"BS-TC0-282313","price":35.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/9767\/2637\/files\/9780300282313-HD.jpg?v=1785882903"},{"product_id":"roots-the-saga-of-an-american-family","title":"Roots: The Saga of an American Family","description":"\u003cb\u003eBased off of the bestselling author's family history, this novel tells the story of Kunta Kinte, who is sold into slavery in the United States where he and his descendants live through major historic events.\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e When \u003ci\u003eRoots\u003c\/i\u003e was first published forty years ago, the book electrified the nation: it received a Pulitzer Prize and was a #1 \u003ci\u003eNew York Times\u003c\/i\u003e bestseller for 22 weeks. The celebrated miniseries that followed a year later was a coast-to-coast event-over 130 million Americans watched some or all of the broadcast. In the four decades since then, the story of the young African slave Kunta Kinte and his descendants has lost none of its power to enthrall and provoke. \u003cp\u003e\u003c\/p\u003e Now, \u003ci\u003eRoots\u003c\/i\u003e once again bursts onto the national scene, and at a time when the race conversation has never been more charged. It is a book for the legions of earlier readers to revisit and for a new generation to discover. \u003cp\u003e\u003c\/p\u003e To quote from the introduction by Michael Eric Dyson: \"Alex Haley's \u003ci\u003eRoots\u003c\/i\u003e is unquestionably one of the nation's seminal texts. It affected events far beyond its pages and was a literary North Star.... Each generation must make up its own mind about how it will navigate the treacherous waters of our nation's racial sin. 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While the songs are essential to the American canon, many of the artists remain all but anonymous to most listeners. \u003cp\u003e\u003c\/p\u003e With more than 100 subjects that made the music, from the singers to the songwriters, to their agents, managers, and sound engineers--and even to the present-day celebrities inspired by their lasting influence-\u003ci\u003eBut Will You Love Me Tomorrow: An Oral History of 60s Girl Groups\u003c\/i\u003e tells a national coming-of-age story that gives particular insight into the experiences of the female singers and songwriters who created the movement.","brand":"Da Capo","offers":[{"title":"Default Title","offer_id":47945231171773,"sku":"BS-TC0-829772","price":26.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/9767\/2637\/files\/9780306829772-HD.jpg?v=1785882932"},{"product_id":"we-were-here-a-history-of-black-people-and-alternative-music","title":"We Were Here: A History of Black People and Alternative Music","description":"\u003cb\u003eA long-overdue corrective to the history of rock 'n' roll and alternative music, repopulating it with the extraordinary Black artists and influential figures who steered its course, from an author, journalist, and front woman of the British post punk band Big Joanie.\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e The history of rock and roll and alternative music is often told in bold, sweeping, isolated moments that are removed from the context of their time. Upon closer inspection, however, it becomes clear that the stories we tell center primarily on the achievements of white men like Elvis Presley, The Ramones, Nirvana, and David Bowie. White men who were the stars, white men who supposedly changed the game, white men who seemingly were at the forefront of every musical innovation in the 20th and 21st centuries. These rock and roll retellings perpetuate the belief that white men were the most important people to wield a guitar, strut on stage, or pound out a pummeling drumbeat. What is missing in these stories is everything in between--the people, the places, and the scenes that connect the dots--and you can't tell the history of any music scene, let alone alternative music, without the Black community. \u003cp\u003e\u003c\/p\u003e From the genre's earliest moments, Black musicians--like gospel entertainer Sister Rosetta Tharpe in the 1930s-40s and rock and roll legend Chuck Berry in the 1950s--have consistently pushed musical boundaries that forever impacted the music that followed. Throughout the decades, numerous Black entertainers continued to add their take on rock and alternative genres, expanding and building on what was already there to create what we know as alternative music today: look no further than the electric fire of Jimi Hendrix's guitar licks in the '60s, the kaleidoscopic melee of hardcore and reggae that was Bad Brains in the late '70s, and the funkadelic swagger of Living Colour in the '80s. \u003cp\u003e\u003c\/p\u003e\u003ci\u003eWe Were Here\u003c\/i\u003e tells the story of Black artists performing in alternative genres from punk to rock and roll, indie to new wave, alongside their Black fans. Through brand new interviews and meticulous research, Phillips documents the history of Black people's influence on these genres, highlighting the key players, assessing the legacy of their work, and drawing attention to those who have been obscured from history. \u003ci\u003eWe Were Here\u003c\/i\u003e centers their voices and attempts to right the wrongs of the past. Along the way, Phillips infuses her own coming-of-age story as a Black female musician in the punk scene, alongside a cultural analysis of rock and alternative music history.","brand":"Da Capo","offers":[{"title":"Default Title","offer_id":47945231630525,"sku":"BS-TC0-832758","price":25.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/9767\/2637\/files\/9780306832758-HD.jpg?v=1785882957"},{"product_id":"its-no-wonder-the-life-and-times-of-motowns-legendary-songwriter-sylvia-moy","title":"It's No Wonder: The Life and Times of Motown's Legendary Songwriter Sylvia Moy","description":"\u003cp\u003e\u003cb\u003e\"More than a biography, \u003ci\u003eIt's No Wonder\u003c\/i\u003e is a long-overdue act of recognition.\"--\u003ci\u003eBooklist\u003c\/i\u003e (starred review)\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eThe biography of Sylvia Moy, Motown's first certified female in-house producer and songwriter, and one of the authors behind classic hits like \"My Cherie Amour,\" \"Uptight (Everything's Alright),\" and a slew of other time-honored tunes.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e Imagine a world without the music of Stevie Wonder. A world without hits like \"I Was Made to Love Her\" and \"Shoo-Be-Doo-Be-Doo-Da-Day.\" That's the world we would live in had it not been for Sylvia Moy, a woman whose legacy has been carefully tucked away within the annals of music history--until now. \u003c\/p\u003e\u003cp\u003e\u003ci\u003eIt's No Wonder\u003c\/i\u003e examines the groundbreaking career of the pioneer who battled sexism and broke down barriers to become Motown's first certified female in-house songwriter and producer. As the lone woman in a room full of men, the odds were stacked against Moy from the start. Amidst racial strife at the height of the Civil Rights Movement, most African American women who were allowed into the music industry could only dream of a career as a singer. Nevertheless, the Detroit native found unprecedented success as both a songwriter and producer. In addition to single-handedly saving Stevie Wonder's early career at Motown, Moy solidified herself as one of the label's most prolific composers, penning many of Wonder's classic hits as well as songs for other Motown acts like \"Honey Chile,\" \"It Takes Two,\" \"This Old Heart of Mine (Is Weak For You),\" \"My Baby Loves Me,\" \"(We've Got) Honey Love,\" \"Forget Me Not,\" \"With a Child's Heart,\" and countless others. \u003c\/p\u003e\u003cp\u003e Meticulously researched and fiercely feminist, \u003ci\u003eIt's No Wonder\u003c\/i\u003e is a historical corrective that restores Sylvia Moy to her rightful place at the forefront of music history. \u003c\/p\u003e \u003cbr\u003e","brand":"Da Capo","offers":[{"title":"Default Title","offer_id":47945231827133,"sku":"BS-TC0-833632","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/9767\/2637\/files\/9780306833632-HD.jpg?v=1785882968"},{"product_id":"no-justice-no-peace-from-the-civil-rights-movement-to-black-lives-matter","title":"No Justice, No Peace: From the Civil Rights Movement to Black Lives Matter","description":"\u003cb\u003eNautilus Book Awards' Better Books for a Better World\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e\u003cb\u003eA Movement in Words and Images\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e Award-winning photographer Devin Allen has devoted the last six years to documenting the protests of the Black Lives Matter movement, from its early days in Baltimore, Maryland, up to the present day. 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