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She made her name dancing on the Parisian stage, but when war broke out she decided not to return to America. Instead, Baker turned spy for the French Secret Services. \u003cp\u003e\u003c\/p\u003e In this engaging, deeply researched study, Hanna Diamond tells the full story of Baker's actions for the French and Allied powers in World War Two. Drawing on previously unseen material, Diamond reveals the vital role Baker played throughout the war, from counterintelligence work for the Allied landings in North Africa to serving in the French Air Force in 1944-45. 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After all, as Serj concedes, \"it's not easy listening.\" Even so, there's no doubt that System's music had struck a chord with millions of listeners across the globe ever since they burst on the scene in the mid-1990s. With nearly 40 million album sales, three albums topping the Billboard charts, and a devoted legion of fans, the band dominated the alt-rock and metal scenes just as the world hurtled into a new millennium, redefining the very idea of what rockstars could and couldn't talk about, could and couldn't do, could and couldn't represent. \u003cp\u003e\u003c\/p\u003e In \u003ci\u003eDown With the System\u003c\/i\u003e, Serj presents readers with a memoir that is far more than just a rock 'n' roll fable. It's an immigrant's tale, it's an activist's awakening, and it's a spiritual journey from darkness toward light. And all of this comes down to the fact that Serj himself has had the chance to live an extraordinary life--thanks to a combination of luck, circumstance, struggle, talent, and spiritual awakening. \u003cp\u003e\u003c\/p\u003e Born to Armenian parents in Beirut, Serj grows up hearing bombs drop outside his childhood home during the country's civil war, before moving to Los Angeles at the age of seven. As a young man, he is immersed in the SoCal community of \"Little Armenia,\" learning more and more about the brutal genocide faced by his ancestors while helping his parents adapt to the constraints and contradictions of the American Dream. Then, during a pivotal drive home from an LSAT class, Serj decides to turn away from a promising future in business and law to make music instead--a decision that leads him to touring five continents as the lead singer of a hugely popular rock band, hitting number #1 on the Billboard album charts the morning of 9\/11, and then having the hit single from the same album banned from radio two days later. \u003cp\u003e\u003c\/p\u003e In the years that follow, his uniquely singular story continues, as he evades glass bottles hurled at a cancelled show by angry Slayer fans, teams up with Tom Morello to push social justice causes on unsuspecting metalheads, argues with LAPD officers over the best way to quell rioting fans, and defines new sounds and singing tactics with Rick Rubin. \u003cp\u003e\u003c\/p\u003e Braiding together Serj's thought-provoking insight with heartfelt and poetic prose, \u003ci\u003eDown With the System\u003c\/i\u003e retraces Serj's remarkable and unlikely journey, and explores what it's taught him--about music, about art, about activism, and about himself. 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Upon closer inspection, however, it becomes clear that the stories we tell center primarily on the achievements of white men like Elvis Presley, The Ramones, Nirvana, and David Bowie. White men who were the stars, white men who supposedly changed the game, white men who seemingly were at the forefront of every musical innovation in the 20th and 21st centuries. These rock and roll retellings perpetuate the belief that white men were the most important people to wield a guitar, strut on stage, or pound out a pummeling drumbeat. What is missing in these stories is everything in between--the people, the places, and the scenes that connect the dots--and you can't tell the history of any music scene, let alone alternative music, without the Black community. \u003cp\u003e\u003c\/p\u003e From the genre's earliest moments, Black musicians--like gospel entertainer Sister Rosetta Tharpe in the 1930s-40s and rock and roll legend Chuck Berry in the 1950s--have consistently pushed musical boundaries that forever impacted the music that followed. Throughout the decades, numerous Black entertainers continued to add their take on rock and alternative genres, expanding and building on what was already there to create what we know as alternative music today: look no further than the electric fire of Jimi Hendrix's guitar licks in the '60s, the kaleidoscopic melee of hardcore and reggae that was Bad Brains in the late '70s, and the funkadelic swagger of Living Colour in the '80s. \u003cp\u003e\u003c\/p\u003e\u003ci\u003eWe Were Here\u003c\/i\u003e tells the story of Black artists performing in alternative genres from punk to rock and roll, indie to new wave, alongside their Black fans. Through brand new interviews and meticulous research, Phillips documents the history of Black people's influence on these genres, highlighting the key players, assessing the legacy of their work, and drawing attention to those who have been obscured from history. \u003ci\u003eWe Were Here\u003c\/i\u003e centers their voices and attempts to right the wrongs of the past. Along the way, Phillips infuses her own coming-of-age story as a Black female musician in the punk scene, alongside a cultural analysis of rock and alternative music history.","brand":"Da Capo","offers":[{"title":"Default Title","offer_id":47945231630525,"sku":"BS-TC0-832758","price":25.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/9767\/2637\/files\/9780306832758-HD.jpg?v=1785882957"},{"product_id":"its-no-wonder-the-life-and-times-of-motowns-legendary-songwriter-sylvia-moy","title":"It's No Wonder: The Life and Times of Motown's Legendary Songwriter Sylvia Moy","description":"\u003cp\u003e\u003cb\u003e\"More than a biography, \u003ci\u003eIt's No Wonder\u003c\/i\u003e is a long-overdue act of recognition.\"--\u003ci\u003eBooklist\u003c\/i\u003e (starred review)\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eThe biography of Sylvia Moy, Motown's first certified female in-house producer and songwriter, and one of the authors behind classic hits like \"My Cherie Amour,\" \"Uptight (Everything's Alright),\" and a slew of other time-honored tunes.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e Imagine a world without the music of Stevie Wonder. 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Based on interviews, archival research, legal documents, and a deep understanding of Berry's St. Louis (his birthplace, and the place where he died in March 2017), Smith sheds new light on a man few have ever really understood. By placing his life within the context of the American culture he made and eventually withdrew from, we understand how Berry became such a groundbreaking figure in music, erasing racial boundaries, crafting subtle political commentary, and paying a great price for his success. While celebrating his accomplishments, the book also does not shy away from troubling aspects of his public and private life, asking profound questions about how and why we separate the art from the artist. \u003cp\u003e\u003c\/p\u003e Berry declined to call himself an artist, shrugging that he was good at what he did. But the man's achievement was the rarest kind, the kind that had social and political resonance, the kind that made America want to get up and dance. 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In an instant, her very identity was torn apart, with everything she thought she knew about herself thrown into question. \u003cp\u003e\u003c\/p\u003e In \u003ci\u003eThicker than Water, \u003c\/i\u003e Washington gives readers an intimate view into both her public and private worlds--as a mother, daughter, wife, artist, advocate, and trailblazer. Chronicling her upbringing and life's journey thus far, she reveals how she faced a series of challenges and setbacks, effectively hid childhood traumas, met extraordinary mentors, managed to grow her career, and crossed the threshold into stardom and political advocacy, ultimately discovering her truest self and, with it, a deeper sense of belonging. \u003cp\u003e\u003c\/p\u003e Throughout this profoundly moving and beautifully written memoir, \u003ci\u003eWashington attempts to answer the questions so many have struggled with: Who am I? What is my truest and most authentic self? How do I find a deeper sense of connection and belonging? \u003c\/i\u003eWith grace and honesty, she inspires readers to search for--and find--themselves.","brand":"Little, Brown Spark","offers":[{"title":"Default Title","offer_id":47945414148285,"sku":"BS-TC0-497398","price":25.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/9767\/2637\/files\/9780316497398-HD.jpg?v=1785891428"},{"product_id":"a-second-sight-how-the-wonder-and-vision-of-black-mediamakers-push-america-toward-freedom","title":"A Second Sight: How the Wonder and Vision of Black Mediamakers Push America Toward Freedom","description":"\u003cp\u003e\u003cb\u003e\"I have been waiting for a book like this, and I'm so glad it's here.\" -- Clint Smith, author of \u003ci\u003eHow the Word is Passed\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eSince the nation's founding, Black Americans have had a unique perspective on the U.S. experience\u003c\/b\u003e--\u003cb\u003ea \"second sight\"\u003c\/b\u003e--\u003cb\u003ethat reveals the truth about the nation to itself. As renowned media scholar Sarah J. Jackson charts in this bold and daring masterwork, at the center of this effort has been an extraordinary cast of Black journalists, photographers, filmmakers, radio hosts, podcasters and other mediamakers who have drawn on the visionary tradition of second sight to advance democracy and broaden our most fundamental American values.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003eWhen Black mediamakers raise their voices and speak uncomfortable truths about America, they shape memories of the nation and push us toward a future more closely aligned with our espoused values. For two centuries, this \"second sight\" has been an overlooked engine of American democracy.\u003c\/p\u003e\u003cp\u003eDrawing from W.E.B. Du Bois's philosophical work, along with deep historical analysis and dozens of interviews with today's most active Black mediamakers, \u003ci\u003eA Second Sight \u003c\/i\u003eshows these visionaries positioned at the margins of their industries and navigating fraught relationships to power. They've warned of the greatest dangers to democracy--from slavery to Nazism, and mass incarceration to misinformation. Their work is central to our culture and politics. Yet it is devalued, met with violent censure, or achieved only via ingenious work-arounds. This tension has sharpened their commitments to truth.\u003c\/p\u003e\u003cp\u003eNow one of our nation's foremost scholars of American media, Sarah J. Jackson, presents an appraisal that situates Black mediamakers at the vanguard of telling the American story. Brilliant, urgent and illuminating, \u003ci\u003eA Second Sight \u003c\/i\u003eis an authentic and candid grappling with a discordant thread in the American fabric and, in tracing a bolder vision for the nation, presents a way forward.\u003c\/p\u003e","brand":"Mariner Books","offers":[{"title":"Default Title","offer_id":47945435873469,"sku":"BS-TC0-726500","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/9767\/2637\/files\/9780358726500-HD.jpg?v=1785891960"},{"product_id":"becoming-ella-fitzgerald-the-jazz-singer-who-transformed-american-song","title":"Becoming Ella Fitzgerald: The Jazz Singer Who Transformed American Song","description":"\u003cp\u003eElla Fitzgerald (1917-1996) possessed one of the twentieth century's most astonishing voices. In this first major biography since Fitzgerald's death, historian Judith Tick offers a sublime portrait of this ambitious risk-taker whose exceptional musical spontaneity made her a transformational artist.\u003c\/p\u003e\u003cp\u003e \u003cem\u003eBecoming Ella Fitzgerald\u003c\/em\u003e clears up long-enduring mysteries. Archival research and in-depth family interviews shed new light on the singer's difficult childhood in Yonkers, New York, the tragic death of her mother, and the year she spent in a girls' reformatory school--where she sang in its renowned choir and dreamed of being a dancer. Rarely seen profiles from the Black press offer precious glimpses of Fitzgerald's tense experiences of racial discrimination and her struggles with constricting models of Black and white femininity at midcentury.\u003c\/p\u003e\u003cp\u003eTick's compelling narrative depicts Fitzgerald's complicated career in fresh and original detail, upending the traditional view that segregates vocal jazz from the genre's mainstream. As she navigated the shifting tides between jazz and pop, she used her originality to pioneer modernist vocal jazz. Interpreting long-lost setlists, reviews from both white and Black newspapers, and newly released footage and recordings, the book explores how Ella's transcendence as an improvisor produced onstage performances every bit as significant as her historic recorded oeuvre.\u003c\/p\u003e\u003cp\u003eFrom the singer's first performance at the Apollo Theatre's famous \"Amateur Night\" to the Savoy Ballroom, where Fitzgerald broke through with Chick Webb's big band in the 1930s, Tick evokes the jazz world in riveting detail. She describes how Ella helped shape the bebop movement in the 1940s, as she joined Dizzy Gillespie and her then-husband, Ray Brown, in the world-touring Jazz at the Philharmonic, one of the first moments of high-culture acceptance for the disreputable art form.\u003c\/p\u003e\u003cp\u003eBreaking ground as a female bandleader, Fitzgerald refuted expectations of musical Blackness, deftly balancing artistic ambition and market expectations. Her legendary exploration of the Great American Songbook in the 1950s fused a Black vocal aesthetic and jazz improvisation to revolutionize the popular repertoire. This hybridity often confounded critics, yet throughout the 1970s and 1980s, Ella reached audiences around the world, electrifying concert halls, and sold millions of records.\u003c\/p\u003e\u003cp\u003eA masterful biography, \u003cem\u003eBecoming Ella Fitzgerald\u003c\/em\u003e describes a powerful woman who set a standard for American excellence nearly unmatched in the twentieth century.\u003c\/p\u003e","brand":"W. W. Norton \u0026 Company","offers":[{"title":"Default Title","offer_id":47945443279037,"sku":"BS-TC0-241051","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/9767\/2637\/files\/9780393241051-HD.jpg?v=1785892102"},{"product_id":"monsters-a-fans-dilemma","title":"Monsters: A Fan's Dilemma","description":"\u003cb\u003eA \u003ci\u003eNEW YORK TIMES \u003c\/i\u003eNOTABLE BOOK - NATIONAL BESTSELLER \u003cb\u003e- \u003c\/b\u003eA timely, passionate, provocative, blisteringly smart interrogation of how we make and experience art in the age of cancel culture, and of the link between genius and monstrosity. Can we love the work of controversial classic and contemporary artists but dislike the artist?\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003e\u003cb\u003e\"A lively, personal exploration of how one might think about the art of those who do bad things\" --\u003ci\u003eVanity Fair \u003cb\u003e- \u003c\/b\u003e\u003c\/i\u003e\"[Dederer] breaks new ground, making a complex cultural conversation feel brand new.\" --Ada Calhoun, author of \u003ci\u003eAlso a Poet \u003c\/i\u003e\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003eFrom the author of the \u003ci\u003eNew York Times\u003c\/i\u003e best seller \u003ci\u003ePoser \u003c\/i\u003eand the acclaimed memoir \u003ci\u003eLove and Trouble, Monsters \u003c\/i\u003eis \"part memoir, part treatise, and all treat\" (\u003ci\u003eThe New York Times\u003c\/i\u003e). This unflinching, deeply personal book expands on Claire Dederer's instantly viral \u003ci\u003eParis Review\u003c\/i\u003e essay, \"What Do We Do with the Art of Monstrous Men?\" \u003cp\u003e\u003c\/p\u003e Can we love the work of artists such as Hemingway, Sylvia Plath, Miles Davis, Polanski, or Picasso? Should we? Dederer explores the audience's relationship with artists from Michael Jackson to Virginia Woolf, asking: How do we balance our undeniable sense of moral outrage with our equally undeniable love of the work? Is male monstrosity the same as female monstrosity? And if an artist is also a mother, does one identity inexorably, and fatally, interrupt the other? In a more troubling vein, she wonders if an artist needs to be a monster in order to create something great. Does genius deserve special dispensation? Does art have a mandate to depict the darker elements of the psyche? And what happens if the artist stares too long into the abyss? \u003cp\u003e\u003c\/p\u003e Highly topical, morally wise, honest to the core, \u003ci\u003eMonsters\u003c\/i\u003e is certain to incite a conversation about whether and how we can separate artists from their art. \u003cp\u003e\u003c\/p\u003e\u003cb\u003e\"\u003ci\u003eMonsters \u003c\/i\u003eleaves us with Dederer's passionate commitment to the artists whose work most matters to her, and a framework to address these questions about the artists who matter most to us.\" --\u003ci\u003eThe Washington Post \u003c\/i\u003e\u003c\/b\u003e\u003cp\u003e\u003c\/p\u003e\u003cb\u003eA Best Book of the Year: \u003ci\u003eThe New York Times, \u003c\/i\u003eNPR, \u003ci\u003eThe Washington Post\u003c\/i\u003e, \u003ci\u003eThe New Yorker, Vulture, Elle, Esquire, Kirkus\u003c\/i\u003e\u003c\/b\u003e","brand":"Vintage","offers":[{"title":"Default Title","offer_id":47945460220093,"sku":"BS-TC0-564188","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0771\/9767\/2637\/files\/9780525564188-HD.jpg?v=1785892447"}],"url":"https:\/\/boundigo.com\/collections\/biography-autobiography-entertainment-performing-arts.oembed?page=2","provider":"Boundigo Bookstore","version":"1.0","type":"link"}